one more week. Now, through Saturday, June 13th!
There is a very perceptive and thoughtful review in this month’s Brooklyn Rail, by Laura Hunt.
Shows //
June 8, 2009
Here are a few images from my show, Picturehood, at Hudson Franklin Gallery, which is up until June 6th. There is a nice review of it in this week’s New Yorker.
Untitled (white/orange)
Flat Shoe
Untitled (one black vase, split)
Flat Chair
two chairs in the show
My little friend, Rubio, is just the right size.
Jonni, well...
Hudson Franklin Gallery is at 508 West 26th St, #318, NY, NY.
(212) 741.1189
Shows //
May 20, 2009
The opening is this Thursday, April 23rd 6-8pm.
Here is the press release for the show.
Keiko Narahashi
picturehood
April 23-June 6, 2009
Opening reception: Thursday, April 23, 6-8pm
Hudson Franklin
508 West 26th Street, #318
New York, NY 10001
As the title of her exhibition suggests, Keiko Narahashi presents artworks created from her ruminations about the essential nature of pictures. Her practice has incrementally migrated from the two-dimensional (painting on traditional canvases) to the three-dimensional (free-standing sculptures). In between she experimented with oddly shaped Polystyrene forms as supports that she covered in canvas or other fabrics on which to paint. Her interest in how the supports influenced the painted image gave way to a predominant interest in the supports as objects themselves. Within the last year, Narahashi added clay to her practice and a toggling between the two-dimensional and the three-dimensional resurfaced.
Narahashi began hand-building simple objects (vases, bottles) that she has described as “orphan objects” because they are not solely functional or completely sculptural. Led by clay’s malleability, she then flattened the objects. Some of them mimic found objects (a child’s chair and shoe), and some are literal patterns of objects laid flat. The cartoonish results often resemble comic accidents. Deliberately keeping herself off balance with the new medium, Narahashi continued to ask herself a handful of questions: Does flattening a three-dimensional object take it back to being a picture? Does the flattening change the meaning of the object? What constitutes pictorial experience?
In addition to these ceramic objects, the exhibition also includes abstract ceramic works and sculptures using materials more familiar to earlier constructions – Polystyrene, papier mâché, furniture parts, and found objects. Connecting all of the works is Narahashi’s need for immediacy with materials, her use of the accidental both in and out of the kiln, and an overall primacy of play.
Keiko Narahashi received an M.F.A. from Bard College. Her work has most recently been seen in group exhibitions at Heskin Contemporary, New York, and at Klaus von Nichtssagend Gallery, Brooklyn. This is the artist’s second solo exhibition with Hudson Franklin.
Gallery hours are Tuesday to Saturday, 11am to 6pm, and by appointment. For more information please contact Nicole Francis at 212-741-1189, nicole@hudsonfranklin.com or visit www.hudsonfranklin.com.
Shows //
April 20, 2009
